
Monday, 14 December 2009
Evaluation
Sunday, 13 December 2009
Chapter 3- Narrative and Non-Narrative Structures
Chapter 1- Discuss both past and present works
Everything Turns- Matt Hattler
Eel girl- Paul Campion- 2008
Gisele Kerozene
Girl chewing gum- John Smith- 1976
Sunday, 29 November 2009
All Filming diary parts
12:05- Scene 10
For my first time filming I opted to do the easiest and most cost effective shot first, which of course would be the legs dangling from the bench, the shot was aimed to be used closer to the end of the film rather than the start.
I completed the shot within 2 takes, the first time round the legs were not completely still, so I had to re-do it. Of course there was lots of talking, but I did not mind as there was only going to be non-diagetic sound included in my final piece.
The final shot was only around 15 seconds long.
4:00pm- Scene 1
I had decided to record my first scene at the end of the day, on Crawley bandstand. I had originally planned for a character wearing a triangular hat to walk slowly across the scene in which I would later speed up, But I later opted for a simpler method of filming a friend for around 5 minutes, just sitting in one place the whole time, I thought the outcome would be more effective as this would be the only person that remained on camera for the whole scene. I completed it in 1 take and have decided that I am going to do it in fast-motion played backwards, rather than just fast motion.
Filming Day 2
5:00pm- Scene 3
This was probably the most tricky shot to do as not only did I have to arrange a suitable time to visit a friends house, but I also had to purchase a pineapple. However, the shot ran quite smoothly, The Gecko that I used thankfully remained stationary and the only flaw which I later noticed was a shadow briefly moving across the shot, but I decided to not re-take it as it can always be edited out.
Filming Day 3
6:00pm- all remaining scenes
I had so far decided to leave out a few scenes, as I felt that my idea had taken a new path to the original one in mind. I was to no longer have the screaming crisp packet or the swiss roll, and I had to make a few changes to existing Ideas due to not having all needed props.
The first shot filmed during the time was Going to be a pirate, it had become quite dark at the time of filming so we had to find a suitably lit place, underneath a street lamp seemed to look the best on camera. This shot only took 2 takes and was completed with relative ease.
The shot of the clown hat I had planned was relatively disappointing as the make up I used could not really be seen in the light under which the actor was in. But I was happy with the way it was conveyed and decided to keep it, as the surrealism was still intact and the makeup was not really an important feature. I managed to do this in just 1 take and was relatively pleased with the end result.
The last scene I had to film was a jar of mayonnaise smashing, this had to be planned so that it could be tidied up relatively easily and not cause a disturbance to the public. It took 2 attempts to actually get the jar to break, but the camera managed to get it all in when it did happen so I was happy with the shot.
Editing Day 1
On this day I forgot to bring in my tape so I attempted to start work on background music for my film. I made a relatively simple tune using the piano on Garage band and put it on a constant loop, so it would carry on throughout my film, I thought the end result connected well with the intended atmosphere and would add further effect to the audiences perception.
Editing Day 2, 3, 4
In this time I admittedly worked rather slowly, I started to put my shots onto Imovie HD and begun editing them. I wanted to change around the arrangement of shots that were the original Idea, instead of having the whole of one shot played and then going on to the next one, I wanted all the shots to be played over and over, kind of like a 5 minute montage. I edited my first scene (The bandstand) and reversed it and sped it up, giving it a very good outcome. Since this is the longest shot I had taken it was going be the predominate part of my movie.
The next shot I worked with was the lizard on the pineapple, I cut this into several parts and placed each clip in random intervals of the bandstand scene, each one of the clips was only around 3 to 4 seconds long but worked well.
I was to do the same with all other shots that I had, other than the clown turning around I have decided to place that half way through in it’s entire form.
I am now very close to the completion of my video.
Monday, 19 October 2009
Chapter 2: The use of technology and techniques and styles
Monday, 12 October 2009
Chapter 5- How these works might inspire my own work
I wish to interpretate a few examples of the technologies used in the videos. Such as stop motion and reversing and repeating clips. Also many themes from these pieces could be adapted into my own, such as Andy Huang's 'Dollface' theming on a rise and fall and the same with Kooyanisqatsi.
Monday, 5 October 2009
Chapter 6- Audience interpretation
This can be seen especially in experimental films as they aim to provoke a new reaction from the audience as many of them do not have a normal structure that most mainstream films would have.
The artist is simply the creator of the art, he can influence the interpretation of the piece but he cannot control it, this is down to the person viewing, and the environment in which it is being viewed.
Koyaanisqatsi- Godfrey Reggio
The film goes from the destruction of something to a peaceful scene constantly, until at the end it finishes on a destructive scale of a rocket going up in the air.
The music throughout changes to synchronise with the image being shown on the screen.
Tuesday, 22 September 2009
Chapter 4: The use of exhibition space to create meaning.
Many variables can be seen that act upon the context the art is viewed in, for example:
- The size of the room
- The colour of the room
- The amount of noise in the room
- The amount of other people in the room
- The temperature of the room
- The amount of other pieces of art in the room
These are just a few examples, the surroundings in which the art is in can be considered to be part of the art itself as it to can play an important role in affecting the viewers emotions. A cold room, can put the viewer on edge and in a rather depressive state- if the artist so wished to do so. Whilst a room crowded with talking people can make the art more lively and adds parts of the reality in the room into the art itself. If a piece of art is surrounded by other pieces it could be overlooked or combined with other pieces near it to create an entirely new meaning. Whilst if it is in a room on it's own it can have the viewers full atention.
One piece of artwork that I saw was a computer animation entitled "Two Minutes Out of Time" By Pierre Hughe. It was a short anime/ Computer animation that made great use of the surroundings it had. It shared the room with a similar but different piece of work, and they alternated between each other on 2 seperate screens. The room was blank, and dark, allowing the viewer to fully appreciate the art, and it seemed that silence was necessary as the audio was very quiet, and took some effort to be heard.
Monday, 21 September 2009
Doll Face - Andy Huang
This could show that the robot is holding itself back from reaching the so called perfection that it is viewing on the television in front of it. The film craft itself could be based on the creators personal experiences or indeed trying to transfer the reality of individuals seeking perfection as a sort of protest.